To celebrate the release of I Used to be Normal: A BoyBand Fangirl Story, Deviant Women sat down with producer Rita Walsh to dish the dirt on what it means when your love for boybands is larger than life. From shame to empowerment, hysteria and the formation of sexuality and identity, we explore how fandom shapes the lives of young women, their passions, their communities, and why we should pay attention to them.
In our second interview of season two we are lucky enough to be joined by multi-award winning author, Hannah Kent. Based on the true story of the last person to be executed in Iceland, Hannah’s international bestseller, Burial Rites, follows the last days of the accused murderess, Agnes Magnusdottir, while her second novel, The Good People, examines the lives of three very different women caught up in the world of Irish folklore and superstition.
To celebrate NAIDOC week, we wanted to honour the extraordinary life of one of Australia’s foremost, but often misremembered Indigenous women, Truganini. Born on Bruny Island off the Tasmanian Coast in the early 19th century in the Palawa community, Truganini’s life was quickly transformed by the arrival of British invaders. After surviving a tragic early life, she realised she could help her people by becoming a guide and interpreter. But when she lost hope in even that, she turned to the bush and life as an outlaw. A content warning to listeners that this episode contains discussion of extreme violence and genocide. Because of her, we can.
In our first interview of season two, (and the launch of a new special series!) we sat down with author Margot McGovern to chat all things YA: from the emergence of ‘unlikable’ female protagonists (and why they’re so irresistible) to the power of transforming myths of masculine adventure for girls, we delved deep into the gender dynamics of the world’s fastest growing literary genre.
In Neverland, Margot’s own feisty and – let’s be honest – bratty heroine Kit must navigate her return to her island home-turned-boarding school and its troubled teenage inhabitants, the depths of lust and attraction, not to mention the treacherous waters of her family’s tragic past and her own history of self-harm. We like our heroines complicated, and Kit Learmouth doesn’t disappoint, so grab yourself a map and join us for our first dive into the waters of YA.
One of Australia’s most awarded playwrights, Patricia Cornelius isn’t afraid to go where other writers won’t. With titles like SHIT and SLUT, Patricia pushes her audience to pay attention to some of society’s most visceral issues. In The Club was specially commissioned for the State Theatre Company of South Australia, and it shines a blinding light on accounts of sexual violence in one of our most beloved national sports. Patricia sat down with us to discuss her life in the theatre, and just what inspired her to write this uncompromising new work.
Born in the early hours of a thunderstorm, with pointed ears and ‘witches’ marks’ on her skin, little Rosaleen was destined for a life of the occult. From her earliest childhood, Roie was drawn to the dark, and her drawings and stories about ghouls, monsters and grotesque horrors set her apart from her peers. As a young woman, she immersed herself in Theosophy, Western Esoterism, dedicated herself to the pagan god, Pan, and pursued a life of art. Come with us to the dingy streets of mid-century Sydney, where Rosaleen’s occult paintings and pagan ways made her infamous as the Witch of King’s Cross.
From a progressive upbringing in otherwise conservative late-Victorian Melbourne, Agnes Goodsir went on to become one of Australia’s foremost bohemians. After studying and exhibiting between London and Paris, Goodsir eventually settled with her muse and lover, Cherry. Come with us to the salons of the Left Bank on the cusp of a new century, where Agnes and Cherry can be found sipping wine with Paris’ famous artistic and lesbian elite.
In the humid tropics of 1920s Townsville, Lizzy O’Dea became infamous in the local tabloids for shooting her rival. As the press continued to sensationalise her adventures, notoriety for her petty theft and sexual exploits grew. Join us as we chat with author Ariella Van Luyn, whose novel Treading Air follows Lizzy from bookie’s daughter in Brisbane to working girl at the Causeway Hotel, about researching the life of one of history’s hidden women, and why such stories continue to be relevant to us today.