Gladys Deacon

When wealthy American socialites Florence and Edward Deacon moved to the vibrant playground of Paris in 1879, they had come to join the artists and intellectuals of the haute bohème. Born into this world of decadence, their daughter Gladys would soon have her childhood shattered by a shocking scandal that pitted her mother and father against each other for the rest of their lives. Despite this, Gladys would go on to be educated in the best schools, growing into an intelligent, witty, and beautiful young woman. After reading about the marriage of an American railroad heiress to an English Duke, Gladys decided that she too should find herself such a man.

Across Europe, Gladys’s feminine wiles attracted the crème de la crème of society, from painters, sculptors and poets to princes and kings. In 1902, a shift to London serendipitously found her moving in the same circles as the English Duke of her childhood crush, and Gladys finally had the world in the palm of her hand. But when her desire to become even more beautiful led her to make a horrifying mistake, Gladys turned away from the limelight, and the once shining star retreated to the shadows.

So join us as we – yet again! – journey to the fabulous and frivolous world of the Belle Époque to examine the life of a woman who would eventually go from the dizzying glamour of high society to the quiet and solitary life of a recluse.

Hilma af Klint

In the 1960s, vice-admiral Erik af Klint opened a crate of art. It had been left to him by his aunt with strict instructions that it should remain sealed for some twenty years after her death. What Erik found was a remarkable cache of work that would throw into question everything we believe about the beginning of abstract art. You see, five years before Kadinsky and Mondrian began their forays into abstractionism, a Swedish woman named Hilma af Klint had received a special commission: to create a remarkable collection of work that would adorn a spiral temple. But who was this great benefactor? It was no businessman or high-ranking official, but rather the High Master Amaleil, who communicated the missive to af Klint in a séance she held regularly with her closest friends, a collective of women known as ‘The Five’. af Klint went on to create an extraordinary body of boldly colourful, geometric and highly symbolic art, all guided by the spirtual masters with whom she regularly communed.

So, light some candles and settle in as we delve into the fascinating world of Theosophy, Rosicrucianism and Hilma af Klint’s astonishing proto-abstractionism!

Rosa May Billinghurst

By the turn of the twentieth century, the fight for women’s suffrage in the United Kingdom had already been raging for nearly forty years. Suffragists everywhere had been calling for changes that would allow women the right to become part of the political life of the nation, but their pleas had persistently been denied. Frustrated and angered, a new generation of activist women rose up, and the suffragette was born. With the motto ‘deeds, not words’, these fierce women were through asking nicely and, turning to militant tactics, they literally put their lives on the line to demand change. Among them was a woman who rarely escaped attention. With her modified tricycle for mobility, Rosa May Billinghurst threw herself into the fray alongside her sisters, suffering at the hands of mobs of angry men and a cruel and ruthless legal system. Ultimately they would be successful, but in a world where so many rights are still for the few rather than for all, their struggle for equality resonates as deeply today as it did over a hundred years ago.

So get ready to take to the streets (not literally! Stay home! Stay safe!) and join us as we venture into the protest marches and picket lines of suffragette city!

Liane de Pougy

In the underworld of Paris’s Belle Epoque, where the wealthiest of men flocked to mingle with the beautiful and cultured demimondaine, Liane de Pougy found the calling she didn’t know she was looking for. After leaving her abusive husband and young son, eighteen-year-old Anne-Marie Chassagne found herself in this centre of pleasure and decided to take up with the reigning queen of courtesans, Valtesse de la Bigne. Under her mistresses’ tutelage, Chassagne, who renamed herself Liane de Pougy, would go on to grace the stage at the Folies-Bergere, be courted by the likes of Leopold II, and publish subversive sapphic auto-fiction. But it wasn’t all partying. After losing her prince husband, Pougy took the veil and devoted her life to supporting those with disabilities.

So in this time of great uncertainty, escape with us into the the fabulous and decadent world of the Belle Epoque!

Bessie Smith

At the turn of the twentieth-century, in the rowdy streets of Chattanooga, Tennessee, a young Bessie Smith was literally singing for her supper. Busking alongside her brother, Bessie learned the hard way just what it took to capture an audience against the odds: to sing and dance and demand attention despite the clatter of carts and the shouts of storeowners and vendors selling their wares. This early foray into the performing life would help shape Smith into the greatest performer of her age, rising up to the heights of Empress of the Blues and becoming the highest paid black entertainer of her day. In her private life she was just as bold and brash as her stage persona, never shying away from saying what she thought and more than happy to get into a fistfight or two. So put the needle on some vinyl and join us as we get down and bluesy with Bessie Smith.

Marie Laveau

In the melting pot of 19th century New Orleans, one woman emerged as the most powerful and legendary practitioners of Louisiana Voodoo. From her humble beginnings as the daughter of a free-man and his Voodoo doctor mistress, Laveau grew up to become a priestess, a healer, an activist and a commanding and influential leader of her community. But Laveau’s story is as much legend as it is reality, and even in her lifetime stories proliferated about her midnight graveyard ceremonies, animal sacrifices and mesmerising evil incantations.

So how, in a story like this, do we tell the difference between history and myth? And who do we believe when we listen to her story? Join us for our Season Four premier as we pick apart the complex and fascinating life of the Voodoo Queen of New Orleans, Marie Laveau!

Christmas Special 2019

It’s the holiday season, but we’ve taken a little time out of our summer break to bring you some good cheer with our annual Christmas Special! In this end of year special we chat about our summer plans, our favourite Deviant Women of 2019, and then we dive into the Roman goddess of the New Year, Strenua, and her Italian counterpart, La Befana. Grab a drink, a mince pie and some pudding, and let’s get into some festive goodness!

Stephanie ‘Queenie’ St Clair

In the underworld of prohibitionist Harlem, there was one queen who ruled the roost – Stephanie ‘Queenie’ St Clair. The Caribbean racketeer was not only a boss entrepreneur of the illegal numbers game, she was also a leader and activist, funnelling her vast riches back into the community. Unlike others on the scene, she ruled by reputation alone, and was known for her elegant style and give-no-fucks attitude. But then, as prohibition came to an end, the mob started seeking out new lucrative enterprises and showed up on her turf. Queenie soon found herself in the midst of a gang-land showdown with the infamous mobster Dutch Schultz! So join us down at the speakeasy as we knock one back in our final episode of 2019 with Queenie St Clair!

Mary Blair

By the end of the 1920s, the U.S. was rocked by financial and ecological disasters that saw it spiral into the Great Depression. At the same time, the advent of sound film was ushering in the golden age of American animation, and with it, one of history’s most iconic film makers: Walt Disney. While Disney would become a household name, at the heart of his finest work were countless unsung artists and animators; one of the most legendary among them was Mary Blair. With a background in watercolour and fine arts, Blair’s use of bold colours and shapes would go on to cement her reputation as one of the most influential artists in the Disney story. But she would leave more than just her legacy at Disney, devoting her working life to creating the kind of art that dreams are made of. So gather your woodland animal friends about you as we take a break from our last few darker episodes and go goofy (sorry) for the art and flair of Mary Blair.

Jeanne des Anges and the Loudun Possessions

In 1632 in a small, haunted Ursuline convent, a series of strange disturbance began to occur. When the Prioress, 25-year-old Sister Jeanne, was beset by terrifying dreams of a priest who cursed her and bade her to perform obscene sexual acts, she knew who was to blame. She had been possessed, she claimed, by demons under the direction of one Urbaine Grandier, the powerful parish priest of Loudun. As more and more of the nuns came under the influence of devils, it was determined that elaborate exorcisms were in order, and investigations into Grandier’s maleficent magic began. While Sister Jeanne maintained that she was the innocent victim of possession, others soon suggested her potential involvement with a conspiracy to bring Grandier down. So, was Jeanne indeed a victim of maleficent witchcraft, or is the power of hysteria to blame for her actions? Perhaps, though, she was far more calculating than this! Get out your rosary beads and holy water and join us in this week’s Halloween episode to find out more about Sister Jeanne des Anges and the infamous possessions at Loudun!

Medea

It’s finally time, Deviants! This fortnight, we journeyed way, way back to visit the figure who started it all, the original Deviant Woman – the witch, the slayer, the mean mother you don’t want to cross – Medea! From her mythological beginnings as Jason’s right-hand-woman to her titular role at the centre of Euripides’ famous drama, Medea remains one of Greek mythology’s most infamous and intriguing figures. After supporting Jason through his conquests with the Argonauts (and saving his life on multiple occasions!) Medea was betrayed in the most awful way, and her method of revenge is one that has seen her labelled a madwoman, a fiend, and a wicked and monstrous mother. But is it really that simple?

We’re joined by Let’s Talk About Myths, Baby’s fabulous host Liv to dive into all things monsters, betrayal, rage and revenge. So grab your poisons, your favourite coronet and climb aboard your dragon chariot, and join us as we break down one of our all time favourite Deviant Women, Medea!

La Malinche

Known in her lifetime by many names, Malintzin would be recorded in history as the infamous La Malinche. Born into nobility and sold into slavery, from a young age Malintzin possessed a gift for language and diplomacy. In 1519, she was given to Hernán Cortés, the leader of the Spanish invading forces. When her translation skills were discovered, Cortés used her as his interpreter and, eventually, took her as his lover. Positioned as a vital go-between for the Spanish and indigenous peoples, her role is now seen as the decisive factor in the success of the Spanish mission in the “New World”.  Often cast as either the victim of the Spanish invaders or Cortés’s duplicitous ‘whore’, she has only recently started to be understood in the light of her historical reality. Journey with us to the temples of Tenochtitlan to witness an epic clash of civilisations, and discover La Malinche: scheming betrayer of her people to some, symbolic mother of the Mestizo race to others.