At the turn of the twentieth-century, in the rowdy streets of Chattanooga, Tennessee, a young Bessie Smith was literally singing for her supper. Busking alongside her brother, Bessie learned the hard way just what it took to capture an audience against the odds: to sing and dance and demand attention despite the clatter of carts and the shouts of storeowners and vendors selling their wares. This early foray into the performing life would help shape Smith into the greatest performer of her age, rising up to the heights of Empress of the Blues and becoming the highest paid black entertainer of her day. In her private life she was just as bold and brash as her stage persona, never shying away from saying what she thought and more than happy to get into a fistfight or two. So put the needle on some vinyl and join us as we get down and bluesy with Bessie Smith.
When Wendy Carlos released Switched On Bach, the first classical album recorded on a synthesizer, she radically transformed people’s understandings of what electronic music could do. At the time of the album’s release, Wendy was also six-months into hormone therapy and struggling with her rising fame and anxieties about how the public might react to her transition. But Switched On Bach was a huge success and Wendy went on not only to critical acclaim, but to work with famed composers and film directors, including scoring Stanley Kubrik’s A Clockwork Orange and The Shining. Join Lauren and our special guest host, Deviant Women’s own composer India Hooi, as we discover how Wendy Carlos changed music forever!