In the dark and seedy cabarets of Weimar Berlin, where sex was a performance and decadence was king, one woman ruled the room. Born to artist parents at the turn of the century, Anita Berber was destined for a life on the stage. Famed for her kohl-rimmed eyes, her bright red hair, and her provocative burlesque, Berber became an underground sensation. But she was just as infamous for her scandalous bisexual affairs and hotel orgies as her avante-garde performances, and with dances named ‘Cocaine’, ‘Morphine’, and ‘Asylum’, you know she partied as hard as she danced! So join us in the end-of-the-world liberalism of Weimar Germany as we trace this Expressionist queen to the stage and beyond!
When Wendy Carlos released Switched On Bach, the first classical album recorded on a synthesizer, she radically transformed people’s understandings of what electronic music could do. At the time of the album’s release, Wendy was also six-months into hormone therapy and struggling with her rising fame and anxieties about how the public might react to her transition. But Switched On Bach was a huge success and Wendy went on not only to critical acclaim, but to work with famed composers and film directors, including scoring Stanley Kubrik’s A Clockwork Orange and The Shining. Join Lauren and our special guest host, Deviant Women’s own composer India Hooi, as we discover how Wendy Carlos changed music forever!